[28], In the period before its release, Maxwell wrote and demoed songs for a subsequent studio album, and embarked on an African American college tour with Groove Theory and the Fugees. Was it enough to penetrate your dark world? Maxwell - ...Til The Cops Come Knockin` Lyrics. Listen to Til The Cops Come Knockin' from Maxwell's The Legacy of Rn'B Slow Jamz for free, and see the artwork, lyrics and similar artists. [25], Cited by Blender magazine as one of the "Greatest Make-Out Songs of All Time", "...Til the Cops Come Knockin'" contains sexually explicit lyrics and a slower tempo than its preceding tracks. [2] During the next two years, Maxwell wrote and recorded over three hundred songs and played frequently at small venues throughout New York City. [3] Maxwell's performances continued to draw interest and increase the buzz about him, and he was called "the next Prince" by a writer from Vibe magazine who attended one of his shows. Tease you (Ooh, hoo, hoo) [2] They assigned Chicago-based, English producer and multi-instrumentalist Stuart Matthewman to the project, but he only produced the first few tracks. View credits, reviews, tracks and shop for the 1996 CD release of Til The Cops Come Knockin' on Discogs. Eat you [26], After Maxwell's Urban Hang Suite was completed,[3] the finished recordings were presented to Columbia Records in mid 1995. [24] Co-written by songwriter Itaal Shur,[7] "Ascension (Don't Ever Wonder)" opens with a funky groove and bass line, and features a forceful rhythm and rough funk sound. If it's alright, ooh [5] Columbia executives reluctantly gave Maxwell creative freedom in his contract and were hesitant to allow him produce the album alone. [2] Maxwell made matters worse by refusing to allow his picture to be placed on the album's front cover; instead he preferred to have the track listing and other information he felt was more important about the album in place of his photo. 'Til the cops come knockin' "[40] Peter Shapiro was more critical, panning Maxwell's lyrics and calling the album an "overly mannered pastiche of early 70s soul ... all style and no substance". (Ooh, hoo, hoo) Papa gonna have to leave [3] According to some journalists, Maxwell's appeal to female fans was due to the respectful and sincere nature of his lyrics regarding women. We're gonna be rockin', baby It's not about creating some super-fresh new thing. Wasn't it cool when I first kissed yo lips? ('Til the cops come, I'm gonna love you, baby) 'Til the cops come knockin' There won't be no stoppin' me There won't be no stoppin' me, 'til the cops come knockin' Gonna take you in the room suga' lock you up in love for days We gonna be rockin' baby 'til the cops come knockin' Papa gonna have to leave a message on the telephone baby There won't be no stoppin,' me 'til the cops come knockin' Please you tease you eat you Make you feel so good inside The success of Maxwell's Urban Hang Suite elevated Maxwell's reputation to that of a sex symbol and a notable performer in the music industry. Well, I wanna hold you (I wanna hold you) [19] Over the course of the album, Maxwell details a single passionate encounter. Watch the video for ...Til the Cops Come Knockin' from Maxwell's Maxwell's Urban Hang Suite for free, and see the artwork, lyrics and similar artists. [8][9][10] According to Prince biographer Alex Hahn, Maxwell adopts the singer's sound and style, particularly from songs such as "Do Me, Baby" (1982) and "Pink Cashmere" (1993),[11] while The New York Times's Amy Linden said that he "melds a soft-spoken singing style with the fluid, spacious grooves often associated with the cocktail funk of Sade". A concept album, Maxwell's Urban Hang Suite was composed as a song cycle that focuses on an adult romance, based in part on Maxwell's personal experiences. [13] Throughout, it examines the concept with lyrical themes of love, sex and spirituality,[19] as well as issues such as commitment, marriage and monogamy. "[13] Jim Farber of the New York Daily News called it "one of the few modern sex albums to offer a sense of succor",[42] and Urban Latino hailed it as "one of the most soulful releases of the year", writing that Maxwell exhibited "the soul of Curtis Mayfield, the poetics of Beni More and the stage presence of Michael Jackson, pre-Thriller". 'Til the cops come knockin'. View credits, reviews, tracks and shop for the 1996 CD release of Til The Cops Come Knockin' The Opus on Discogs. 'Til the cops come knockin' Band and Rose Royce, Maxwell began to teach himself to play a variety of instruments. [11] The term "neo soul" was penned in the late 1990s by record executive Kedar Massenburg, who managed both D'Angelo and Erykah Badu. Columnist. 'Til the cops come knockin' [2], Maxwell also cited his grandmother and other West Indian women he knows as the inspiration behind his romantic notions. [1], At 19, Maxwell began performing throughout the New York club circuit while supporting himself by waiting tables during the day. [Chorus] Till the cops come knockin Pappa gonna have to leave A message on the telephone baby There won't be no stoppin' me Till the cops come knockin' Six on a thursday night and you be jonesin baby For a brother to hold you tight and keep on goin Last lover came and went Didn't even hug n' kiss you n' caress you Gimme a call it's cool the m's all open [2] Despite facing ridicule from classmates for being shy and awkward, he progressed and continued to develop his musical abilities. The resulting music features a mellow, groove-based sound with elements of funk, jazz, smooth soul, and quiet storm. Was it enough to penetrate you dark world? 'Til the cops come knockin' Last lover came and went [6], Production assistance and instrumentation from such veteran session musicians contributed significantly to Urban Hang Suite's vintage overtones and classic R&B influences. After receiving a low-cost Casio keyboard from a friend, Brooklyn, New York-native Maxwell began composing material at age 17. Was it enough to penetrate you dark world? [9] The album has been noted for the sincerity of Maxwell's lyrics, which depict a man's weakness and vulnerability to a woman's love. Directed by Eric Johnson. I wanted people to come to the music and not base any opinion on the image". [27] That year, Rolling Stone voted him Best R&B Artist. Maxwell's official music video for '...Til The Cops Come Knockin''. Obviously women at 12 or 13 get either cursed or blessed with the fact that they're vessels for human life to come through. Discover releases, reviews, credits, songs, and more about Maxwell - Til The Cops Come Knockin' at Discogs. Lyrics to 'Till The Cops Come Knockin'' by Maxwell. "Till The Cops Come Knockin'". Style: Soul, Neo Soul. [30] By 1997, the album had shipped one million copies, earning platinum status from the RIAA. 0 Tags. [20] Maxwell has described the themes and his thoughts on romance as "idealistic" on Urban Hang Suite. Was it enough to penetrate your dark world? [41] It was called a "masterpiece" by several reviewers who viewed it as a departure from the mainstream, hip hop-oriented R&B of the time. [21] Rolling Stone editor David Fricke compared the album's concept to that of Marvin Gaye's 1978 record Here, My Dear, which dealt with his divorce, saying that Maxwell's Urban Hang Suite had been reworked as a treatise on monogamy. [48] For the record, Maxwell was nominated for the 1997 Grammy Award for Best R&B Album,[4] received three NAACP Image Award nominations,[44] and wins in the categories of Best Male R&B/Soul Album and Best Male R&B/Soul Single (for "Ascension"), as well as Best R&B/Soul or Rap New Artist, for the 1997 Soul Train Awards. Or were you embarrassed about the way you freaked. "[44] In The Rolling Stone Album Guide (2004), Arion Berger later said, "[Maxwell's] laid-back romanticism has heat at its core and a powerful groove that grounds the music: By varying the push of the beat but retaining the central mellow vibe, Maxwell creates a sound as felicitous on headphones as it is in the bedroom. Maxwell performs in the music video "...Til the Cops Come Knockin'" from the album "Maxwell's Urban Hang Suite" recorded for Columbia Records. "Ascension (Don't Ever Wonder)" is a 1996 song by the American R&B/neo soul singer Maxwell. [2] Matthewman and Maxwell played several instruments during recording for the album, including guitar, drums, saxophone, bass, and keyboards. [1] Raised in the borough's East New York-section, Maxwell's previous musical experience included his beginnings as a singer in the congregation of his Baptist church,[2] which had become an integral part of his life after the death of his father in a plane crash. [1] During the recording sessions, Maxwell worked extensively with collaborators, including Matthewman, soul singer-songwriter Leon Ware, and funk guitarist Melvin "Wah-Wah Watson" Ragin. [25] The song has been covered by gospel artists such as Londa Larmond and LaShun Pace. [16] The album contains elements of funk, jazz, contemporary R&B and quiet storm,[4] and it is mostly composed of sexual balladry and slow jams.[17][18]. ('Til the cops come, 'til the police come knockin') [2] After earning a considerable reputation, Maxwell signed a recording contract with Columbia Records in 1994. Maxwell largely wrote and produced the album himself, recording in sessions at Electric Lady Studios, RPM, Sorcerer, and Chung King Studios in New York City, and CRC Studios in Chicago. [1][3] The marketplace dominance of hip hop soul in 1995 was in contrast with Maxwell's monogamous themes and older soul influences, which Columbia worried would be interpreted as old-fashioned. [15] Roni Sarig wrote that their "early '80s full-band R&B and jazz pop grooves are reminiscent of Maze's brightest days and Steely Dan's coolest nights. [41][59] His concert performances in promotion of the album attracted many female fans. [Bridge] Papa gonna have to leave The honest, sincere sexuality has struck a collective nerve with many in his audience who have built, renewed, or refined relationships based on the many messages found in the songs from Urban Hang Suite ... Maxwell's emotive power seduced not only significant numbers of both the urban and pop audiences but critics as well. [19] The track's prominent funk sound is reminiscent of the music of the Brand New Heavies. 'Til the cops come knockin' According to Prince biographer Alex Hahn, Maxwell adopts the singer's sound and style, particularly from songs such as "Do Me, Baby" (1982) and "Pink Cashmere" (1993), while The New York Times's Amy Linden said that he "melds a soft-spoken singing style with the fluid, spacious gr… There won't be no Or wer [44] It was named the 20th best album of 1996 in the Pazz and Jop, an annual poll of American critics nationwide, published by The Village Voice. But what I'm talking about is not a person's 'female side' or 'male side'. "[39] Stylus Magazine ranked it at number six on their list of the Top Ten Albums from 1996. Gonna take you in the room, sugar [Pre-Chorus] [7] After the recording sessions ended in March 1995,[2] Urban Hang Suite was mixed by P.M. (Peter Mokran) and audio engineer Mike Pela, after which it was mastered by Tom Coyne at Sterling Sound in New York City. We're gonna be Gonna take you in the room, sugar [53] In commenting on the "new soul revival" in music, Maxwell told Entertainment Weekly in 1997 that "everything out there musically was inspired or influenced by something from the past. Well, I wanna hold you, I wanna know you baby, if it's alright [27] The album's success also earned Maxwell his own MTV Unplugged special, which was a popular measure of mainstream success for recording artists in the 1990s. Was it enough to penetrate yo dark world. [15] It also contains the sound of distant sirens and "grinding porn-movie" guitar licks. There won't be no [51], Along with musicians D'Angelo and Erykah Badu, Maxwell was credited with helping to shape the "neo soul" movement that rose to prominence during the late 1990s. Gonna take you in the room, sugar [1] Prior to working with Maxwell, Ware and Ragin were collaborators of soul musician Marvin Gaye;[1] Ware had produced and composed most of Gaye's tenth album I Want You (1976). "What He Does Want Is to Make Beautiful Music". [2] Music journalists inferred that the album was inspired by or based on an unsuccessful affair in Maxwell's life. Well I wanna hold you. The music video begins with Maxwell lying dace down on a stripped floor. 'Til the cops come knockin' Gonna take you in the room suga' Lock you up and love for days We're gonna be rockin' baby 'Til the cops come knockin' Papa gonna have to leave A message on the telephone baby There won't be no 'Til the cops come knockin' Please you, tease you, eat you Make you feel so good (Make you feel so good inside) [2], Writing for Vibe, OJ Lima said the record was a "refreshing detour from hump-bouncin' '90s R&B",[16] while Dimitri Ehrlich from Entertainment Weekly wrote that Maxwell "smooths hip-hop's and soul's edges, proving that black dance music doesn't automatically mean ghetto culture. Maxwell Lyrics. Please you (Oh, oh) (Please let me rock you, baby) … Loving you long if that's alright Lock you up and love for days [41] Maxwell was also compared to soul singers of the 1960s and 1970s. [10] In 2002, it was certified double platinum,[30] and by 2008, it stood as Maxwell's best-selling album, having sold 1,790,000 copies, according to Nielsen SoundScan. The unexpected commercial and critical success of Maxwell's Urban Hang Suite helped establish Maxwell as a serious performer in the music industry. [3][4] Maxwell's Urban Hang Suite was produced primarily by Peter Mokran, who was credited as P.M., and Maxwell, who was credited as "MUSZE",[4] a play on the word muse. With Maxwell. Check out ...Til the Cops Come Knockin' by Maxwell on Amazon Music. [3] In Contemporary Musician (1998), Mary Alice Adams examined the personal impact of his debut album on listeners: To his fans, Maxwell's Urban Hang Suite lures them into the heart of a romantic encounter that ends with a marriage proposal. We're gonna be rockin', baby Till The Cops Come Knockin' Lyrics. [Verse 1] Make you feel so good inside Stream ad-free or purchase CD's and MP3s now on Amazon.com. And that's what music--what creativity--is to me. For a brother to hold you tight and keep on goin' It was also a success with critics, who praised it as a departure from the mainstream, hip hop-oriented R&B of the time, while earning Maxwell several accolades and comparisons to soul singers of the past, particularly Marvin Gaye and Prince. Find out at which radio station you can hear MAXWELL - TIL THE COPS COME KNOCKIN' (LIVE MTV UNPLUGGED) MAXWELL - TIL THE COPS COME KNOCKIN' (LIVE MTV UNPLUGGED) - Listen on Online Radio Box This site uses cookies . [1], Maxwell recorded his debut album between 1994 and 1995 at Electric Lady Studios, RPM Studios, Sorcerer Studios and Chung King Studios in New York City, and at CRC Studios in Chicago, Illinois. [2] Matthewman had previously worked with English R&B and jazz group Sade. We're gonna be rockin', baby [Chorus] Lyrics to ''Til the Cops Come Knockin'' by Maxwell. (Hey, baby) Six on a Thursday night and you be jonesin', baby [3] According to him, the R&B of the early 1980s contained "the perfect combination of computerized instrumentation with a live feel", and that the genre's dynamics later became lost due to the influence of hip hop on R&B. [53] According to Shapiro, the term itself refers to a musical style that obtains its influence from more classical styles, and bohemian musicians seeking a soul revival, while setting themselves apart from the more contemporary sounds of their mainstream R&B counterparts. "[2] According to Kerika Fields, Maxwell received an overwhelmingly positive reaction to his debut album from music listeners due to their weariness of contemporary black music's predictability. [2] The album was eventually released on April 2, 1996,[4] and was a slow performer commercially. Lock you up and love for days We're gonna be rockin', baby / Wasn't it cool when first I kissed your lips? [Pre-Chorus] [3] Already a fan of what he described as "jheri curl soul", which was the trademark of early 1980s R&B acts such as Patrice Rushen, S.O.S. (Let me rock you, baby; let me love you, baby, let me do it, darlin') Editors’ Notes Maxwell was only 23 when his debut was released in 1996, and it’s hard to overestimate the courage and maturity it took to create an album like Urban Hang Suite at that time. [Chorus] [12] Critics have also noted Maxwell's falsetto singing voice,[13] and the music's atmospheric, funky instrumentation, featuring mellow horns, wah wah guitar, Rhodes piano and deep, articulate bass lines. Along with D'Angelo's Brown Sugar (1995) and Erykah Badu's Baduizm (1997), the album provided commercial exposure to neo soul and has since been cited by several critics as Maxwell's greatest work. We're gonna be [28] Columbia reached a compromise with Maxwell and used a promotional shot of him as the back cover. Maxwell ‎– Til The Cops Come Knockin Label: Columbia ‎– SAMPCD 3316, Columbia ‎– 11-003316-17 Format: CD, Single, Promo Country: Austria Released: 1996 Genre: Funk / Soul. Listen to Til The Cops Come Knockin' by Maxwell, 88,432 Shazams, featuring on ’90s R&B Essentials, and Neo-Soul Essentials Apple Music playlists. [8], Credits for Maxwell's Urban Hang Suite adapted from liner notes. I guess being a man is a truly physical state and mentally it's a little bit limiting. Maxwell's Urban Hang Suite was not an immediate commercial success, but it was helped by the release of its second single "Ascension (Don't Ever Wonder)" in July 1996, and the album eventually became a million-seller. Maxwell's House of Soul; Romantic Debut Is Quite a Concept, Maxwell's Urban Hang Suite: Editorial Review, #5: Maxwell 'Ascension (Don't Ever Wonder)', Albums Charts: Maxwell's Urban Hang Suite, Gold & Platinum - Searchable Database: Maxwell, The Billboard Hot 200: Maxwell's Urban Hang Suite - Oct 05 1996, MusicHound R&B: The Essential Album Guide, "Don't Believe the Gripe: The Death of the Death of the Death of the Death of Rock and Roll", Radio 1 Listeners Top 50 Albums of 1993-2003, Maxwell Thrills Them at New York's Supper Club, Maxwell's Urban Hang Suite: Billboard Albums, https://www.billboard.com/artist/310195/maxwell/chart?f=412, https://www.billboard.com/artist/310195/maxwell/chart?f=415, "British album certifications – Maxwell – Maxwell's Urban Hang Suite", "American album certifications – Maxwell – Maxwell's Urban Hang Suite", https://en.wikipedia.org/w/index.php?title=Maxwell%27s_Urban_Hang_Suite&oldid=994767472, Articles with dead external links from February 2019, Articles with dead external links from June 2017, Articles with permanently dead external links, Short description is different from Wikidata, Album articles lacking alt text for covers, Certification Table Entry usages for United Kingdom, Pages using certification Table Entry with shipments figures, Certification Table Entry usages for United States, Pages using certification Table Entry with shipments footnote, Creative Commons Attribution-ShareAlike License, This page was last edited on 17 December 2020, at 12:41. [15] The songs "Whenever Wherever Whatever" and "Lonely's the Only Company (I & II)" are ballads that contain themes of vulnerability to love. Maxwell – Till The Cops Come Knockin'. Didn't you dig the way I rubbed yo back girl? [3] Maxwell told Interview's Dimitri Erhlich that his main muse for Urban Hang Suite was women, and further elaborated on his inspiration, stating: I think creativity is innately feminine. He adopted his middle name as a moniker out of respect for his family's privacy. [4] The two opening tracks both contain prominent funk influence. [60] Essence writer Jeannine Amber compared his stage presence to Teddy Pendergrass. [20] It was shelved for nearly a year,[19] because of issues with Columbia's management, the label's extensive reorganization, and record executives' doubts regarding the album's commercial potential. [4] The song contains strong gospel overtones with references to God in the lyrics. [16] "Welcome" features the album's prominent sexual vibe, and contains a quiet storm sound and saxophone. The magazine highlighted Maxwell's showmanship, "down-to-earth" attitude and body movements including dropping down to his knees, swiveling his hips in a "slow grind", and crawling across the stage while singing. [30] It spent seventy-eight weeks on the Billboard 200 albums chart,[31] while becoming a Top 30 chart hit in the United Kingdom. Or were you embarrassed about the way you freaked? [40] Maxwell's Urban Hang Suite has since been cited by several critics as his best album,[41][40] including Stephen Cook from AllMusic, who said it was "destined to become a classic contemporary R&B disc". View credits, reviews, tracks and shop for the 1996 CD release of Til The Cops Come Knockin on Discogs. To prominence during the late 1990s 27 ] the album had shipped One million copies, platinum... 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