—KE, The prankish sensibilities of French filmmaker Dupieux — who doubles as the DJ Mr. Oizu — have been well-established at Cannes over the years, with surreal gambits like the existential killer tire movie “Rubber” and last year’s demented jacket gimmick “Deerskin” proving that he has no shortage of outrageous ideas, and the wherewithal to pull them off. Taxi Driver (1976) Martin Scorsese’s fifth film nearly eclipsed his good early efforts, and you can … Moretti relocates the setting from Tel Aviv to Italy, telling the story of three families in different apartments in the same condominium, all of whom are suffering crises that include child abuse, loneliness, and ruminations on a haunted past. Of course. The festival opened with Le Grand Bleu, directed by Luc Besson and closed with Willow, directed by Ron Howard. Sign up for our Email Newsletters here. His much-hyped return to jet fuel-powered drama, “Top Gun: Maverick” boasts a stacked cast of both big names (Cruise! Joe Wright’s “Rear Window”-style psychological thriller about the mental collapse of an agoraphobic, alcoholic psychologist (Amy Adams) has already endured many a pushback from Disney-owned 20th Century Studios. The 41st Cannes Film Festival was held from 11 to 23 May 1988.The Palme d'Or went to the Pelle erobreren by Bille August.. Interviews with leading film and TV creators about their process and craft. Adam Driver stars as a standup comedian who, along with his famous soprano wife played by Marion Cotillard, raises a child with an enigmatic gift. On 13 January 2020, Spike Lee was named as the president of the Jury. Cannes Film Festival - one of the most exclusive and long-standing movie events in the history of cinema - kicks off today. Eleanor was a socialist activist with her own big ideas about how the world (and the government) should work. Searchlight’s July release date for “The French Dispatch” positioned Cannes as the perfect destination for a world premiere. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. —DE. It still could be if Cannes’ plan to delay the 2020 festival to late June holds, as Warner Bros. is opening “Tenet” in July. With “Mona Lisa and the Blood Moon,” Amirpour has lined up her biggest cast yet, including Kate Hudson, Craig Robinson, and Korean actress Jun Jong-Seo, the breakout supporting star of 2018’s Cannes sensation “Burning.”, With another original script from Amirpour, this time using the fantasy and adventure genres as her springboard, “Mona Lisa” turns on a young girl with magical and potentially volatile powers. Spanish film director and screenwriter Pedro Almodóvar was the President of the Jury for the festival and Italian actress Monica Bellucci hosted the opening and closing ceremonies. It’s safe to assume that “Home” will provide an actor’s showcase from a fixture of international cinema poised to break out in a whole new way, and Cannes would be the ideal place to start that story. Shot in two parts and co-starring Tim Roth and Vicky Krieps, “Bergman Island” finally wrapped in the middle of the last summer. There’s nothing conventional about Folman’s techniques to date, which means that this version of “Anne Frank” is poised to make the material resonant in a whole new light, whenever it gets out there. (Oddly enough, her “Vision” skipped Cannes in 2018, and surfaced in the fall instead. In 1951 agreement was reached to hold the Cannes Film Festival in May and the Venice Film Festival in the autumn. The Spanish Academy of Film Arts and Sciences announced this morning the films selected to compete for the # Goya2021 that will be held on March 6. Jennifer Connelly!) Movies. German actress Potente has been a recognizable face in current cinema for over 20 years, starting with her iconic turn in “Run Lola Run,” and continuing through a string of Hollywood credits, from “Blow” to “The Bourne Identity.” This year, however, she’s poised to move into the directing chair with her feature-length debut with the California-set “Home,” which stars Jake McLaughlin as an ex-con who returns from a 20-year prison stint and struggles to settle back into his old hometown despite lingering resentment for the crime that put him away in the first place. Kawase is also the youngest winner of the Camera d’or for her feature “Suzaku” back in 1997, which she followed up with a Grand Prix award 10 years later for “The Mourning Forest.” In short, if Kawase has a film, Cannes is usually a safe bet for its launch. ), Dupieux’s storytelling always takes baffling turns — think David Lynch meets Monty Python — and it’s safe to assume that “Mandibules” will deliver a very appealing ride. He followed that up with the daring 2013 Directors’ Fortnight opener “The Congress,” a blend of animation and live action so tapped into the scary potential of modern technology it has now looks downright prophetic. The film is… —DE, Olivier Award-winning playwright has long plotted her jump to feature filmmaking: in 2012, she won the BAFTA JJ Screenwriting Bursary, which she then spent on writing the original script for what would become her feature directorial debut. When the animation house premiered “Inside Out” at the festival in 2015, the reaction was hugely positive — a journey through the headlines of stories about its premiere mostly hinge on shock that such a Hollywood offering would be this well-received at Cannes of all places — and it looked as if the festival was preparing for a repeat with “Soul.”, Pixar’s next film, set (for now) for a June release, even looks like a smart spiritual sister to “Inside Out.” While that movie was about the warring emotions that drive the human mind, Pete Docter’s followup is all about the soul that gives people their humanity. The short films competition, which culminates in the jury awarding the Short Film Palme d’or, will take place next autumn at the Palais des festivals in Cannes. The specifics of that gift remain shrouded in question, but knowing Carax, it’s safe to assume that much about the narrative defies easy description. The festival opened with Pirates, directed by Roman Polanski and closed with El Amor brujo, directed by Carlos Saura. Five female directors are also featured in the 2020 Official Selection. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. But no matter how much the world has put its major events on hold, there are a wealth of other finished or just-finished projects out there that look strong enough to justify a Cannes launch, if and when that happens. Unfolding through home video material and poignant footage of understated moments in Rich’s personal struggle, “Time” transcends the traditional boundaries of socially conscious filmmaking to become an illuminating window into the intimate casualties of the American justice system. Before you can say “The Bling Ring,” well yes: Some who have seen it are already making the comparison. “Last Night in Soho” (Edgar Wright) Edgar Wright’s latest has been veiled in secrecy for months, but … The movie follows three teen women who decide to break the monotony of their daily routines by plotting a heist. Award-winners and contenders from Cannes Film Festival (1992) Menu. According to Fremaux, a record 2,067 features were up for consideration for the 2020 Cannes Film Festival, up from last year’s 1,845 films. After the extreme adult eroticism of “Double Lover,” Ozon lovers might be relieved to see the director putting his lens on teenage love. No matter her method of telling the story, the Romola Garai-starring film has plenty of real-life drama to pull from. Little is known about his untitled new film beyond the fact that it’s set in New York City, stars Vanessa Kirby, and features the “Hobbs & Shaw” actress in at least one big look. This new comedy could be her long-awaited return to the spotlight: The movie stars Laure Calamy and Benjamin Lavernhe in the story of a woman who books a getaway in the countryside with her lover — only to wind up stuck there when he cancels to be with his wife at the last minute. Cannes' Marché du Film 2020: Online from... REPLAY ! But with such a young director behind the camera, if “The Hill Where the Lionesses Roar” really delivers on its potential, its festival positioning could turn Bajrami into the big breakout of the year, whenever it gets out there. For a festival that loves stars, it would not have gotten better than the red carpet for “The French Dispatch”: Tilda Swinton, Bill Murray, Timothee Chalamet, Lea Seydoux, Benicio del Toro, Elisabeth Moss, Owen Wilson, Frances McDormand, and more. Sign Up: Stay on top of the latest breaking film and TV news! She tracks him down to the Cévennes mountains trail, but he’s long-gone, leaving only a donkey in his wake. Adapted from author AJ Finn’s 2018 potboiler, it was originally slated for an October 2019 awards season release, then moved to May 15 of this year, and then moved again into the ether as its fate — like so many movies right now — remains unknown. Maïwenn will also star in the film, alongside Fanny Ardant, Louis Garrel, and Marine Vacth. —EK, Edgar Wright’s latest has been veiled in secrecy for months, but no bother. Per tradition, we’ve done our homework to ensure that we only include titles that stand a realistic shot at showing up in the program, even under these unconventional circumstances. —KE. The Palme d’Or (Golden Palm) was created in 1955 and was awarded until 1963 when it was replaced by a different award (the Grand Prix du Festival International du Film). But a Cannes slot could give this hotly awaited film a chance to rise from the ashes, even after test screenings reportedly left focus groups uneasy over the film’s less-than-tidy resolution. —EK. That means promising new movies like Chloé Zhao’s reportedly unfinished “Nomadland” didn’t show up here; ditto Sofia Coppola’s “On the Rocks,” which apparently already committed to a Venice launch. Since most of the main characters from “Train to Busan” have already been eaten alive on screen, Yeon has turned to a new cast fronted by “Golden Slumbers” star Kang Dong-won and singer-actress Lee Jung-hyun. A debut on the Croisette for the film, still set to hit theaters in September from Focus Features, would have been a match made in a movie-lover heaven. Given the unpredictable circumstances, it’s impossible to know whether that timeline is realistic — but Cannes wouldn’t be Cannes if it didn’t project an aura of confidence about what it was doing, and for the time being, the world’s most glamorous festival still plans to hold a 2020 edition. “The Hill Where the Lionesses Roar” screened only a few minutes for industry attendees at the Les Arcs Film Festival last December and won an audience engagement prize there. Jamie Foxx voices Joe Gardner, a mild-mannered middle school music teacher who has always dreamed of performing jazz at a lauded club, and the film follows his journey after his soul is accidentally booted out of his body. Starring Gemma Arterton as a reclusive writer, the film is set during World War II and finds Arterton’s Alice unexpectedly in charge of a young man after the London Blitz. With Swinton at its center, “Memoria” could be Weerasethakul’s ticket to a larger audience, at least relative to the festival bubble that has celebrated him for years. Needless to say, if Cannes does happen, its lineup has a lot of potential. —EK. Rohrwacher is one of international cinema’s most talented actors, most recently stealing the show in her sister’s film “Happy as Lazzaro,” and wowing as a moody muse in Luca Guadagnino’s short “The Staggering Girl,” making this appointment viewing for cinephiles. If the trailer released last year is any indication, this film should if nothing else deliver a powerful triumvirate of actresses chewing the hell out of a soapy premise. Each year, IndieWire assembles a wish list of movies that we hope will make the cut. “ADN” has the potential to do that in an even more personal way than before. Featuring a darling cast of rising stars like Thomasin McKenzie and Anya Taylor-Joy alongside bona fide legends like Diana Rigg and Terence Stamp, the film is reported to be a “psychological horror film” with some sort of time travel twist. Why not. Wes Anderson has used the Berlin International Film Festival to launch his last two feature films, “The Grand Budapest Hotel” and “Isle of Dogs,” but 2020 was supposed to mark the auteur’s big return to Cannes with his new project, “The French Dispatch.” Anderson was last at Cannes with “Moonrise Kingdom,” which world premiered on the opening night of the 2012 event. Shortening the gap between a potential Cannes world premiere and the film’s theatrical opening could increase its chances of world premiering at the festival, but Nolan remains unpredictable when it comes to festivals. Like most of the major media events that were scheduled for the coming weeks, the Cannes Film Festival has been put on hold. His next film, “Tre Piani,” is Moretti’s first adaptation of another source material, lifting from an Israeli book by Eshkol Nevo. The screenplay comes from master writer Tracy Letts, who also co-stars as Anna’s much-needed therapist. Her 2011 Paris-set crime drama “Polisse” scooped up the Cannes Jury Prize, followed by 13 César Award nominations the following year. THE FRENCH DISPATCH by Wes Anderson (USA) - 1h43, Production : INDIAN PAINTBRUSH PRODUCTIONS / AMERICAN EMPIRICAL PICTURES - International Sales : FOX SEARCHLIGHT PICTURES - French Distribution : THE WALT DISNEY COMPANY, Production : MANDARIN - International Sales : PLAYTIME - French Distribution : DIAPHANA, ASA GA KURU (True Mothers) by Naomi Kawase (Japan) - 2h20, Production : KINO FILMS CO - International Sales : PLAYTIME - French Distribution : HAUT ET COURT, LOVERS ROCK by Steve McQueen (United Kingdom) - 1h08, Production : TURBINE STUDIOS LIMITED - International Sales : TURBINE STUDIOS LIMITED, MANGROVE by Steve McQueen (United Kingdom) - 2h04, DRUK (Another Round) by Thomas Vinterberg - (Danemark) - 1h55, Production : ZENTROPA - International Sales : TRUSTNORDISK - French Distribution : HAUT ET COURT, ADN (DNA) by Maïwenn (France / Algeria) - 1h30, Production : WHY NOT PRODUCTIONS - Ventes : WILD BUNCH INTERNATIONAL, LAST WORDS by Jonathan Nossiter (USA) - 2h06, Production : STEMAL - International Sales : THE PARTY FILMS - French Distribution : JOUR2FÊTE, HEAVEN: TO THE LAND OF HAPPINESS by IM Sang-Soo (South Korea) - 1h40, Production : HIVE MEDIA CORP - International Sales : FINECUT, EL OLVIDO QUE SEREMOS (Forgotten we'll be) by Fernando Trueba (Spain) - 2h16, Production : CARACOL TELEVISION / DAGO GARCIA PRODUCCIONES - International Sales : FILM FACTORY ENTERTAINMENT, PENINSULA by YEON Sang-Ho (South Korea) - 1h54, Production : REDPETER FILMS - International Sales : CONTENTS PANDA - French Distribution : ARP SELECTION, IN THE DUSK (Au crépuscule) by Sharunas BARTAS (Lituania) - 2h06, Production : STUDIJA KINEMA/KINOELEKTRON - Ventes : LUXBOX - Distribution France : SHELLAC FILMS, DES HOMMES (Home Front) by Lucas BELVAUX - (Belgium) - 1h40, Production : SYNECDOCHE - International Sales : THE PARTY FILM SALES - French Distribution : AD VITAM, THE REAL THING by Kôji Fukada (Japan) - 3h48, Production : NAGOYA TV - International Sales : NAGOYA TV, PASSION SIMPLE by Danielle Arbid (Lebanon) - 1h36, Production : LES FILMS PELLÉAS - International Sales : PYRAMIDE INTERNATIONAL - French Distribution : PYRAMIDE DISTRIBUTION, A GOOD MAN by Marie Castille Mention-Schaar (France) - 1h47, Production : WILLOW FILMS - International Sales : PYRAMIDE INTERNATIONAL - French Distribution : PYRAMIDE DISTRIBUTION, LES CHOSES QU’ON DIT, LES CHOSES QU’ON FAIT by Emmanuel Mouret (France) - 2h, Production : MOBY DICK FILMS - International Sales : ELLE DRIVER - French Distribution : PYRAMIDE DISTRIBUTION, LIMBO by Ben Sharrock (United Kingdom) - 1h53, Production : CARAVAN CINEMA LTD - International Sales : PROTAGONIST PICTURES, ROUGE (Red Soil) by Farid Bentoumi (France) - 1h26, Production : LES FILMS VELVET - International Sales : WTFILMS - French Distribution : AD VITAM, Production : LAVA FILMS - International Sales : NEW EUROPE FILM SALES, TEDDY by Ludovic and Zoran Boukherma (France) - 1h28, Production : BAXTER FILMS - International Sales : WTFILMS - French Distribution : THE JOKERS FILMS, FEBRUARY (Février) by Kamen Kalev (Bulgaria) - 2h05, Production: KORO FILMS - WATERFRONT FILM / French Distribution : UFO DISTRIBUTION / International : Memento Films International, AMMONITE by Francis Lee (United Kingdom) - 2h, Production : SEE-SAW FILMS - International Sales : CROSS CITY FILMS - French Distribution : PYRAMIDE DISTRIBUTION, UN MÉDECIN DE NUIT by Elie Wajeman (France) - 1h40, Production : PARTIZAN FILMS - International Sales : BE FOR FILMS - French Distribution : DIAPHANA DISTRIBUTION, ENFANT TERRIBLE by Oskar Roehler (Germany) - 2h14, Production : BAVARIA FILMPRODUKTION - International Sales : PICTURE TREE INTERNATIONAL, NADIA, BUTTERFLY by Pascal Plante (Canada) - 1h46, Production : NEMESIS FILMS - International Sales : WAZABI FILMS, HERE WE ARE by Nir Bergman (Israel) - 1h34, Production : SPIRO FILMS - International Sales : MK2 FILMS, SEPTET: THE STORY OF HONG KONG by Ann Hui, Johnnie TO, Tsui Hark, Ringo Lam, Sammo Hung, Yuen Woo-Ping et Patrick Tam (Hong Kong) - 1h53, Production : MILKYWAY IMAGE - International Sales : MEDIA ASIA DISTRIBUTION, Production : PERCEVAL PICTURES - International Sales : HANWAY FILMS - French Distribution : METROPOLITAN FILMEXPORT, PLEASURE by Ninja Thyberg (Sweden) - 1h45, Production : PLATTFORM PRODUKTION - International Sales : VERSATILE, SLALOM by Charlène Favier (France) - 1h32, Production : MILLE ET UNE PRODUCTIONS - International Sales : THE PARTY FILM INTERNATIONAL SALES - French Distribution : JOUR2FÊTE, CASA DE ANTIGUIDADES (Memory House) by Joao Paulo Miranda Maria (Brazil) - 1h27, BROKEN KEYS (Fausse note) by Jimmy Keyrouz (Lebanon) - 1h30, Production : WHY NOT PRODUCTIONS - International Sales : WILD BUNCH INTERNATIONAL, BEGINNING (Au commencement) by Dea Kulumbegashvili (Georgia) - 2h, Production : FIRST PICTURE / O.F.A - International Sales : WILD BUNCH INTERNATIONAL, GAGARINE by Fanny Liatard et Jérémy Trouilh (France) - 1h35, Production : HAUT ET COURT - International Sales : TOTEM FILMS - French Distribution : HAUT ET COURT, 16 PRINTEMPS by Suzanne Lindon (France) - 1h13, Production : AVENUE B PRODUCTIONS - International Sales : LUXBOX - French Distribution : PANAME DISTRIBUTION, VAURIEN by Peter Dourountzis (France) - 1h35, Production : 10:15 PRODUCTIONS - International Sales : KINOLOGY - French Distribution : REZO FILMS, GARÇON CHIFFON by Nicolas Maury (France) - 1h48, Production : CG CINEMA - International Sales : LES FILMS DU LOSANGE - French Distribution : LES FILMS DU LOSANGE, SI LE VENT TOMBE (Should the Wind Drop) by Nora Martirosyan (Armenia) - 1h40 - Copresented with l'ACID, Production : SISTER PRODUCTIONS - International Sales : INDIE INTERNATIONAL SALES - French Distribution : ROUGE DISTRIBUTION, JOHN AND THE HOLE by Pascual Sisto (Spain) - 1h38, STRIDING INTO THE WIND (Courir au gré du vent) by WEI Shujun (China) - 2h36, THE DEATH OF CINEMA AND MY FATHER TOO (La Mort du cinéma et de mon père aussi) by Dani Rosenberg (Israel) - 1h40, Production : PARDES FILMS  - International Sales : FILMS BOUTIQUE - French Distribution: NOUR FILMS, EN ROUTE POUR LE MILLIARD (Downstream to Kinshasa) by Dieudo Hamadi - (Democratic Republic of Congo) - 1h30, Production : LES FILMS DE L'OEIL SAUVAGE - International Sales : ANDANA FILMS, THE TRUFFLE HUNTERS by Michael Dweck et Gregory Kershaw (USA) - 1h24 Existential peril, Edgar Wright, Festivals, Wes Anderson Italian director Nanni is. 14 to 25 May 2019 's Ghosts, directed by Carlos Saura way before... 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